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#CANON 70D BOKEH VIDEO LENS HOW TO#
#CANON 70D BOKEH VIDEO LENS MANUAL#
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Certainly, if you focus on the bride or groom, the other person will be out of focus. If you shoot just the bride in close up, and the camera focuses on her cheek, her eyes might not be sharp anymore. You'll also have to consider that at 135mm and an f/2 aperture, you will get a very shallow DOF, even with a cropped sensor. You could only get a really strange angle or crop, and the take is ruined. Be aware however that while a prime lens will give you amazing performance, it might be tough in a situation like a wedding where you can't control or repeat everything. I have never tried the Canon 135mm f/2, but it sounds very impressive.Basically, it takes great images but sits in my bag almost all the time. It is however very, very wide (like 172В° view at 11mm), and I see myself reaching for the Sigma 18-35mm f/1.8 way more often than the Tokina. The Tokina 11-16 f/2.8 is awesome and I purchased it as well.So maybe compare the two before you invest. The f/1.8 as I said is a fairly good entry level lens that I still use even though it is the cheapest lens I have. The Canon 50mm f/1.4 is an amazing lens but very expensive.In my opinion, you should definitely rent them for a few weeks (from a shop, of from a friend if you know someone) before you spend that much money! But again, I'm not the best person to give advice on that.ДЇor your lens selection: These are all great lenses.

#CANON 70D BOKEH VIDEO LENS FOR FREE#

So maybe someone else has to chip in for that? I think that you will need some practice in the beginning, so doing quite some weddings for free will not only help spread the word but also help you get better before you charge money for your services.

I am not a professional, meaning I don't make money from videography, and I do it as a hobby besides my day job. It's the best bargain you will find, and it's not as big and heavy as the longer lenses. It does get a little soft towards the edges, but that's not so bad if you are aiming for an MTV style music video, they tend to do that. It's very sharp in the center and if used wide open even has acceptable bokeh (meaning the quality of the blur! The amount of blur is no problem, that will be enough). If you want an image like the one you linked to, where the whole group is in the picture and the background is still blurred out, you will be better off buying something like the Sigma 70-200 f/2.8 or the Tamron 24-70 f/2.8 for that price.Д«ut I seriously recommend that you get the Canon 50mm f/1.8 first. But: It will hardly give you a blurred background unless you are VERY close to your foreground subject (like just the face in the frame). It is tack sharp even wide open and in the corners, and it is built like a tank. So: The Sigma 18-35mm is a brilliant lens. A longer focal length (18-35mm is not that great, 50mm is good, 70mm would be better, etc.).A wider aperture (f/1.8 is pretty good, f/1.4 is even better).

#CANON 70D BOKEH VIDEO LENS FULL#

full frame DSLRs, but you seem to be fixed on the 70D) There are three factors that will make your DOF shallower and blur out the background: The cheap Canon lens gives me much shallower depth of field (DOF, exactly what you want).

I also have the cheap (around $100) Canon 50mm f/1.8 lens. I have the 70D and the Sigma 18-35 f/1.8 lens.

#CANON 70D BOKEH VIDEO LENS MANUAL#

Perhaps 1.8 or 2.0 Most of the time you'd have the camera set to 'A' for aperture priority exposure or if shooting video maybe manual to prevent exposure changing during the shot. This is #1.Then they were shot with a wide f-stop. Firs notice how far the main subject is from the background.

#CANON 70D BOKEH VIDEO LENS HOW TO#

What yo should do is read-up on how to calculate 'depth of field' then go shoot some still imagesД«oth those images to referenced where set up to show off this effect. Normally the word 'bokeh' is used to means the quality of the out of focus areas, the lack of halo and iris blade effects and a good even illumination. I'm surprised you would have such expensive gear and not know this.

Is the blur smooth or is it filled with lines and haloes? Generally the primes give smoother results.Дepthof field (DOF) os controlled by a combination of focal length, subject distance and f-stop. What many people care about is HOW the out of focal areas look.

Technically the zoom when set to 50mm will be the same as the 50mm prime but the depth of field is just the beginning. If you are after a shallow depth of field effect the 50mm prime lens will likely be the best option.

Canon 70d bokeh video lens